It isn’t very hard to figure out who producers were targeting with the lurid title “Strip Nude for Your Killer” (1975), a giallo by Andrea Bianchi. While many gialli flirt rather harmlessly with sexual material, “Strip Nude” is an outright attempt to combine the giallo with “adult entertainment” and it easily outstrips (such a bad pun) most gialli in its shameless reliance on nudity. However it’s not an entirely wasted exercise and flickers of potential in the story and technical craft occasionally appear.
The film stars Nino Castelnuovo as fashion photographer Carlo Bianchi (note the director sneaking his name in already) and Edwige Fenech (with short hair!) as model/photographer Magda Cortis. After a tasteless intro wherein two doctors drown a corpse in a bathtub to disguise a botched abortion, we are introduced to Carlo. He stalks and seduces Femi Benussi (last seen in “The Killer Must Kill Again” from the same year) within minutes using hilariously cheesy pickup lines and promises.
[Image: (from left to right) Catelnuovo, Benussi and Fenech.]
The title ends up being a bit of a misnomer, since no one actually strips nude for the killer. Most of the victims had already stripped before the killer arrives or get stripped after they are killed.
The deaths tend to be pretty standard affairs, with the only variation being that the killer must have running water nearby to work up a psychotic murder fervor. Despite this, two scenes take place by prominent outdoor fountains without anything happening. One suspects that Bianchi has a lot of fun misdirecting audiences in unusual ways. My favorite example occurs when the audience has just seen the gay photographer killed by someone in a leather outfit and motorcycle helmet. Bianchi then cuts to the studio on the next day, where two of the suspects are being photographed for a sexy motorcycle spread.
“Strip Nude for Your Killer” doesn’t get a recommendation from me, but it does offer some insights into the extremes of sexuality that the genre was willing to go. It offers a straight forward mystery without many clues or clever twists, but with rare moments of shock and tension. Not a particularly good thriller, but if you like your exploitation cinema with an extra couple of X’s, this is a film for you.
Walrus Rating: 3.0
Oh, before I forget I should do an art comparison. The picture is distinctly surrealist, but whether it is imitation Dali or imitation Magritte I’m not quite sure. I went with Rene Magritte because the floating rocks theme appears in his work so often.